Monday, May 23, 2011

Long walk to Tate


This past week has been a bit of a vacation for me. My only exam was a week ago Wednesday and in the absence of course work and dissertation work I had a bit of a break! I went to the Wellcome Collection which is another medical museum in central London. It has more installation art than the other two medical-themed museums we've been to (the Hunterian Museum and part of the Science Museum) and I can't say it was my favourite place to visit. But it did have an interesting collection of medical-related pieces from the past (collected by Henry Wellcome himself in the late 19th and early 20th centuries): memento mori, paintings of medical practice from the past, an ancient mummified body (no museum is complete without one!), etc.


We had a nice barbecue with friends last weekend, and I visited a friend in Reading on Thursday. This past Saturday we went to the Tate Britain which is about 15 minutes walking distance south of the Parliament Buildings. Since the day was beautiful and sunny we had a lovely walk all the way down Charing Cross Road through the centre of town to the gallery. The Tate Britain, not to be confused with the Tate Modern, is dedicated to British artists from the year 1500 onward. The building is beautiful, built in the neo-classical style at the tail end of the 19th century. It was the original location of the Tate gallery before the Tate Modern was created in an old power station which is across the river from St. Paul's Cathedral (I went there in the Fall). The Tate Britain has a huge collection of Turner paintings. I hadn't realized how early Turner was (1775-1851) yet his later paintings are very reminiscent of the Impressionists decades later. Lots of "fogs and slurries" as Bridget Jones's mother would say (but in a good way). There are also a few paintings I recognized by Pre-Raphaelites like the famous Ophelia by John Everett Millais (a print of which we had up in our apartment - a wee bit morbid but lovely all the same) and The Lady of Shalott by John William Waterhouse (looking forlorn in a dinghy - when I was ten I was obsessed with a song about the Lady of Shalott sung by Loreena McKennitt and had this painting on a postcard). Always a thrill to see these paintings in real life!


On Sunday I went to Notting Hill with a friend from school. We went to the Museum of Brands and Packaging which had a huge collection of memorabilia and packaging (food, household goods, toys, etc) starting in the mid-19th century. It was a bit limited in terms of explanatory signs but it was interesting to see the evoluation of brands that we still use today (such as certain chocolate brands, cleaning products, etc). It was also fun to see some of the games and toys I remember from the 80s!

Monday, May 9, 2011

Show time!

I've been a bit remiss in my blogging habits yet again. The last few weeks I've been really busy finishing off assignments before the end of term. I happily handed in my last essay this past week. I'm now studying for my one and only exam this coming Wednesday (on research methods - sounds fun, right?). I'm looking forward to having my course work complete! That will just leave the dissertation to write (a minor project... ha!)

We have been to a couple of good shows in Central London the past few weeks. Back in early April we went to a performance by the Orchestra of the Age of Enlightenment featuring music by Bach, Handel and a lovely young soprano. The venue was The King's Place, a few blocks down the street from King's Cross/St Pancras train station. The theatre is the newest in London with an office building above and the two stages located in the basement to cut down on the noise from the nearby trains. The accoustics were fantastic and it also looks beautiful - the whole theatre is lined with hardwood from the same old tree.

Two weeks ago we went to a fabulous production of Gilbert & Sullivan's Iolanthe. It was unusual as it featured an all-male cast. It was hilarious, touching and the singing and choreography were fantastic. The men playing the female leads had incredible soprano ranges - one getting up to a high A! Iolanthe was particularly suited to an all-male cast as the story is concerned with a group of magical fairies and a half-man/half-fairy. This made for quite a few funny double-entendres. But it wasn't camp - it's hard to explain what the vibe was of the show, but although it was definitely very funny it could also be very sincere and heartfelt. I think it was my favourite show that I've seen while we've been here. The venue was also magical - Wilton's Music Hall, a few blocks east of the Tower of London. It's apparently the oldest still-standing music hall in the world, built in the 1850s. The building is kind of semi-derelict. For example, the audience can't sit on the balconey because it won't support the weight (!), and the paint on the walls has all peeled off revealing brickwork underneath. And it has a distinctly earthy smell. But it is a really fabulous venue - very atmospheric (especially for a show about fairies).

This past Saturday night we bought tickets last-minute to see a brand new musical, Betty Blue Eyes. It features a really cute animatronic pig (Betty). The show is based on the movie A Private Function made in the 1980s with Michael Palin and Maggie Smith. Set in austerity-era Britain, 1947 the year of the wedding of Princess (now Queen) Elizabeth and Prince Philip. The upper-crust inhabitants of a small town are raising an illegal (non-rationed) pig (Betty) to eat at a banquet in honour of the royal wedding. Hijinks ensue. It was just a coincidence that when the show opened in March another Royal Wedding was on the horizon. It was a funny show although also bizarre with some random dream-sequences that were very strange! It is also the first musical I have ever seen that has a scene featuring a urinal.